NORTHERN ILLINOIS UNIVERSITY COLLEGE OF VISUAL AND PERFORMING ARTS

School of Music’s Gregory Beyer releases third album with non-profit organization, Arcomusical

School of Music’s Gregory Beyer releases third album with non-profit organization, Arcomusical

Arcomusical Emigre and Exile

 

Arcomusical release partyNIU School of Music Professor Gregory Beyer, Director of Percussion Studies in the School of Music, is the artistic director of Arcomusical, a DeKalb-based non-profit with a mission to spread the joy of the berimbau Afro-Brazilian musical bow. Since 2016, the organization has strived to achieve this mission through performance, education, composition, publication, research, and community building activities. Several of the ensemble’s performing members are alumni or current students of the NIU School of Music percussion program.

On March 25, Arcomusical released its third album project, Emigre and Exile on the New York City-based contemporary music label, New Focus Recordings. Featuring boundlessly adventurous music by four composers: Matt UleryAlexandre LunsquiJeremy Muller, and Beyer himself, this special album celebrates the berimbau in multi-instrumental contexts in a broader fashion than Arcomusical presented in its first two albums, MeiaMeia and Spinning in the Wheel.

The album’s anchor and feature is the epic six-movement title composition by Chicago-based composer and jazz bassist, Matt Ulery. Ulery’s presence as both performer and composer of Emigre and Exile delivers a warmth of tone and spirit that is utterly engrossing.

Already, the album is garnering national attention, having been picked up and currently featured on the American Society of Composers Authors and Publishers (ASCAP) New Music Friday Spotify playlist.

Arcomusical will celebrate the release of this album, Sunday, April 3 at 8:30 p.m. at Chicago’s wonderful new music club, Constellation. If you happen to be in or near the city, consider joining their celebration which features many special guest artists and promises to be an unforgettable experience.

School of Music students present benefit concert for Ukraine, March 25

School of Music students present benefit concert for Ukraine, March 25

Students from the Northern Illinois University School of Music will present a benefit concert organized to raise awareness and aid for Ukraine, Friday, March 25 at 8 p.m. in Boutell Memorial Concert Hall in the Music Building on NIU’s main campus.

Performers from the School of Music include NIU School of Music Professor and Head of Percussion Studies Gregory Beyer, members of the NIU Philharmonic Orchestra, NIU Jazz Ensembles, steelpan and world music instrumentalists and many more.

There is no charge for admission, audience members are encouraged to consider donating to a Ukraine aid organization such as:

  • Mercy Corps – Provides humanitarian assistance, cash aid, and works with local organizations in Ukraine to get funds and donations to places they’re most needed.
  • United Nations High Commission for Refugees – Provides resources and aid for refugees, displaces people, and those removed from their homelands. Currently working to provide support for Ukranians fleeing their country.
  • Direct Relief – Provides medical supplies, currently working with the Ukranian Ministry of Health, and is working to offer medical aid to people in Ukraine and the surrounding countries.
  • Save the Children – Helps families and children in a variety of ways, offering cash assistance, shelter, food, education and much more to provide humanitarian support to the people of Ukraine. This organization focuses its efforts on children and families with children affected by the crisis.

The benefit concert has been organized by a pair of graduate students in the NIU School of Music, Jennalynn Cisna and Annie Sun Chung.

The concert will be live streamed.

Ukraine Benefit Concert
NIU School of Music
Boutell Memorial Concert Hall
Friday, March 25, 8 p.m.

Program Order

Ukraine National Anthem, United Armed Forces edition
Collaborate performance of strings and winds
Annie S. Chung, conductor

Drastic Measures, Mvt. I,  Russell Peck (1945-2009)
Nick Haddock, Daniël Smith, David Patush, and Aaron Adams
Saxophone Quartet

Berimbau Solo no. 4, “Sakura Park” 
Traditional Music from Capoeira Angola 
Ladainha, “eu ’tava em casa”
as recorded by Mestre Traíra (b. 1963) and transcribed by Gregory Beyer
Dr. Gregory Beyer, berimbau

Elegiac Trio, Arnold Bax (1883-1953)
Gianna Capobianco, flute;  Zachary Green, viola; Abby Stoner, harp

Caritas, Mvt. II ‘Solemn’ Michael Burritt (b. 1962)
Matt Schneider, Marimba

Plyve Kacha, Ukraine Folk Song arr. Andrew Selig (b. 1997)
Andrew Selig, Sergio Arias-Montiel, Liam Weber, and Ting-Yun (Rebecca) Wu
Horn Quartet

Romanze in F minor, Op. 60, Ludwig van Beethoven (1770-1827)
Ranan Antonini, violin; Jennalynn Cisna, piano

Mariel, Osvaldo Golijov (b. 1960)
Ben Heppner, Marimba; Dayoung Park, cello

Tomorrow Will Be a Better Day,  Da Yo Lo (b. 1954)
Chih-I Hsiao, Erhu
Ting-Yun (Rebecca) Wu, Piano

Verbovaya Doschechka, Ukrainian Folksong
Steelpan Ensemble

Peace, Horace Silver (1928-2014)
Austyn Menk, piano; Noah Brooks, drums;  Kirby Fellis, trombone; Morgan Turner, string bass

Adagio for Strings, Samuel Barber (1910-1981)
Members of the NIU philharmonic strings
Annie S. Chung, conductor

Kyiv Waltz, P. Mayboroda (1918-1989)
Dani’ca Richardson, conductor
Full band

Prayer for Ukraine
Bryan A. Flippin, conductor
Full band

NIU Philharmonic Strings

Violins:
*Ranan Antonini
Daniela Escobar Oyola
Alexa Garza
Ella Barribeau
Jair Nunez

Viola

Zachary Green
Jacqueline Scavetta

Cello
Dayoung Park
Frances Marshall

Double Bass
Phoebe Shaughnessy

Band roster

Flute
Gianna Capobianco
Chanel Antoshin
Anna Rockman, piccolo

Oboe
David Coons

Clarinet
Adeline Confederat
Mikaela Jackson
Kayla Bivin
Katelyn Ackland
Rowan Brennan

Saxophone
Nick Haddock (alto)
Daniël Smith (alto)
David Patush (tenor saxophone)
Aaron Adams (baritone saxophone)

Horn
Andrew Selig
Sergio Arias-Montiel
Liam Weber
Ting-Yun (Rebecca) Wu

Trumpet
Jaron Holder
Emma Walsh

Trombone
Emelia Barrera
Kirby Fellis

Tuba
Dan Nowosad

Percussion
Andrew Kinsey
Mikey Speziale
Matt Schneider

NIU Chamber Choir and Percussion Ensemble to perform Misa Criolla at Illinois Music Educator’s Conference

NIU Chamber Choir and Percussion Ensemble to perform Misa Criolla at Illinois Music Educator’s Conference

Eric Johnson

Eric Johnson

NIU Professor of Music and Head of Choral Studies Eric Johnson had been waiting to have just the right mix of the number and kind of singers to take on a piece by Argentinian composer Ariel Ramírez, and last spring he had that mix, and enlisted the help of two fellow School of Music faculty members in the project.

“The piece is called Misa Criolla,” Johnson said. “Ramirez composed it in the 1960s, and I had been looking for the opportunity to put it on stage here at NIU. I reached out to some of my colleagues, including Professor Greg Beyer who is director of percussion studies. He has significant experience and expertise in Latin American percussion traditions and music, especially of Brazil and Argentina. An Tran is a new faculty member in guitar and he has in interest in world music.”

The piece was originally commissioned by the Pope shortly after Vatican II who wanted Ramirez to create a mass using traditional music from his countries–the music of Bolivia and Argentina, and features specific rhythms and melodic constructs within a traditional mass setting.

Greg Beyer

Greg Beyer

Beyer gave presentations to the NIU Chamber Choir about the important historical and sociopolitical importance of the composition.

“When Greg looked at the arrangement that had been published by an American company he told us that they weren’t the right traditional rhythms,” Johnson said. “So he created his own using indigenous instrumentation to make it closer to what Ramirez would have imagined for the instruments that he was modeling for his composition.”

After the spring performance, Johnson and Beyer agreed that there was more they could do with this. They had discovered so much in the score and learned so much when they brought in traditional instruments and rewrote the percussion parts that they wanted the piece to exist on a larger scale.

Johnson put together a proposal, including an audio recording of the performance, to the Illinois Music Education Association. The hope was that a presentation and performance of the piece would help high school directors who choose to perform it approach it with an understanding of historical context and a deeper understanding of the ethnic representations involved and get a more hands-on experience of what the percussion instruments are and how they inform the music.

Johnson and Beyer will be presenting “Celebrating Ariel Ramírez’s Misa Criolla: A Fusion of Latin American Folk Music and Social Justice” at the IMEC Conference in Peoria, Thursday, January 27.

NIU will be well represented at the conference.

Johnson is also the Founding Artistic Director of Cor Cantiamo, artists in residence in the NIU School of Music and they will be performing at 7:30 p.m., on January 27.

Thomas Bough, professor and director of athletic bands will lead a clinic, “Diversify Your Band Literature by Exploring the Music of Black Composers”, at 1:30 p.m. on January 27.

Rodrigo Villanueva-Conroy, professor of jazz studies, has a clinic titled “FUNdamental Grooves of the African Diaspora” at the conference at 3 p.m. on January 27.

Mary Lynn Doherty, assistant director of the School of Music and coordinator of Music Education, is co-presenting on two topics, “The Prevalence of Women Conductors and Composers in the ILMEA All-State Choirs” at 3 p.m., January 27, and “Are Your Students Worth It? Bias, Representation and Access in Music Selection” at 11 a.m., Friday, January 28.

 

Ninth annual NIU New Music Festival to feature guest composer Regina Harris Baiocchi and Haiku Festival Chicago   

Ninth annual NIU New Music Festival to feature guest composer Regina Harris Baiocchi and Haiku Festival Chicago  

FEATURING:

  • A composer portrait of music by Chicago-based composer Regina Harris Baiocchi
  • A night of brand new music in conjunction and celebration with Haiku Festival Chicago
  • Premieres of sixteen new works by NIU student and faculty composers
  • NIU School of Music students and faculty performing alongside one another
  • Works for choir, jazz combo, mixed chamber groups, solo vocalist and instrumentalists, brass quintet, percussion ensemble, marimba and string quintet
  • And more

The Northern Illinois University New Music Festival returns for its ninth year November 3-4. The festival features the music and poetry of Chicago-based composer Regina Harris Baiocchi and offers exciting new music over two nights of concerts in the NIU School of Music’s Boutell Memorial Concert Hall (located in the Music Building on the main campus). Poets from around the country and around the world associated with Harris Baiocchi’s Haiku Festival Chicago will be involved. The evening programs begin at 7 p.m. and tickets are available through the School of Music’s online box office.

On Wednesday, November 3, the festival kicks off with a program featuring the original music by Baiocchi and showcasing her vast and deep oeuvre. Music for percussion ensemble, string ensemble, choir, solo vocalists and instrumentalists, and small jazz groups will all share the stage together to celebrate her talent and skill as a multi-faceted composer. 

On Thursday November 4, Baiocchi will offer an 11 a.m. All-School Convocation, in the concert hall. This presentation is open to the public, and will feature segments of music performed the previous evening to provide examples of her musical output as she shares stories of her career and artistic journey with the School of Music students and community.

That night at 7 p.m., the festival’s second concert will feature performances by members of the Avalon String Quartet and Reggie and Mardra Thomas, as well as brand new original music based upon original haiku by poets associated with and curated by Baiocchi and her 17th annual Haiku Festival Chicago. No less than sixteen exciting and brand new one-minute musical miniatures, either set or are inspired by Regina’s selected poems, have been composed by NIU student and faculty composers alike. NIU student composers include Kyle Anderson, Kayla Bivin, Emily Brown, Daniel Burke, Ethan Featherly, Ben Heppner, Mikaela Jackson, Elena Stavropoulos, Melissa Wang. NIU faculty composers include David Maki, Brian Penkrot, Yuko Asada, Geof Bradfield, Ben Wahlund, and Gregory Beyer.

We encourage the NIU community at large to come out and join us for one or more of our concerts this week! Any questions or comments should be directed to the New Music Ensemble Director, Dr. Gregory Beyer at 815.753.7981 or gbeyer@niu.edu.

Ninth annual NIU New Music Festival
Tickets for each night: $5 for adults, $3 students, NIU students free with pre-reserved ticket
Purchase online

NIU concert performances are broadcast through the School of Music livestream 

ABOUT the NIU New Music Ensemble

 Created in 2008 by its director, Dr. Gregory Beyer, the Northern Illinois University New Music Ensemble is a performance group dedicated to historically groundbreaking music of the 20th Century and the emerging musical voices of the 21st Century. Each fall, the ensemble presents a multi-concert festival featuring prominent guest composers, performers, and thematically connected compositions to expose students and the NIU community to excellence and diversity in contemporary classical music making. With its flexible instrumentation allowing it to present diverse repertoire, the NIU NME has to date presented concerts of music by Steve Reich, Karlheinz Stockhausen, Olivier Messiaen, Alex Mincek, Eric Wubbels, Kate Soper, Shulamit Ran and David M. Gordon, Luciano Berio, George Crumb, Igor Stravinsky, John Cage, Erik Griswold, Anthony Pateras, Gerard Grisey, Fred Sturm, Matt Ulery, Christopher Adler, David Lang, Dawn of MIDI, and many others. At its festivals, student members of the NME have interacted directly with many of these composers and have performed alongside luminous guest artists such as Wet Ink Ensemble (NYC), Yarn/Wire (NYC), Clocked Out Duo (Australia), Matt Ulery and Loom, Dane Richeson and Marco Albonetti, and the nief-norf Project. 

CVPA faculty serve as mentors on College of Engineering and Engineering Technology Senior Design Day projects

CVPA faculty serve as mentors on College of Engineering and Engineering Technology Senior Design Day projects

Every year seniors in NIU’s College of Engineering and Engineering Technology engage in a year-long design project that involves creating or improving commercial products or industrial processes. They are mentored by faculty and industry professionals to get hands-on, real-world experience. This year, three of those projects were the result of proposals written by College of Visual and Performance Art faculty who then served as project mentors.

Gregory Beyer, professor of music and director of percussion studies worked with “Team 35” as they designed a berimbau, an Afro-Brazilian percussion instrument, traditionally made with one string.

Yuko Asada, musical instrument technician, assistant director of the NIU Steelband and director of the Community School of the Arts Steelband worked with “Team 51” as they sought to create a method to mechanically forge the construction fo the steelpan, a process that when done manually can be physically taxing.

Kelly Gross, instructor in the Art Education department in Disability Studies and Technology, mentored “Team 44” on creating a photography system for persons with physical differences.

Design of Berimbau Instrument

“I am delighted to report that the year of work in pursuit of developing a two-string model of an Afro-Brazilian berimbau, a traditional one-string musical bow, has produced remarkable results,” Beyer said. “Not only have we created an instrument that allows one performer access to a wider and more complete compass of pitches, we have also developed an instrument with a unique timbral profile.”

Team 35 was made up of CEET seniors Michael Joseph Abukhader, Matthew J Hasto, and Clayton Lee Smith.

Mechanical Forging for the Construction of a Standardized Steelpan Instrument

Part of NIU’s world-renowned Steelpan Studies program involves the actual building of the instrument, and Yuko Asada sought help from Engineering to help automate the process. “Steelpans are all hand made,” she said. “The most high tech tools we use are pneumatic hammers. It takes a long time for us to create steelpans, and it also causes a lot of strain on the wrists, hands, arms, really the entire body to make them. An automated process would make it faster and easier, and it would also cut down the time that we’re exposed to the noise and vibration as we make them.”

The design team created a machine that used an increment forming process to build one of the small pans. Asada was pleased by the results, though the process still needs some fine “tuning.”

“The issue we encountered is that each note isn’t isolated, so when you strike a note the surrounding area rings,” she said. “So there are some things that can be improved, but as a first step it’s very exciting.”  She said she hopes next year another senior design project team will take on the next step in the process to get closer to the long-term goal of being able to mass produce steelpans which will allow us builders to concentrate on tuning the instrument.

Asada said she was very impressed by the knowledge of the Engineering students and how easy they were to work with. “Being able to work with students from another college and work with those who have the knowledge I don’t have was something I really enjoyed.”

Team 51 was made up of CEET seniors Gabriel Gandara, Nicholas Grimes,  and Josefina Buan.

Photography System for Persons with Physical Differences

Gross submitted a proposal for a senior design project to create an adaptive tripod for wheelchair users. Gross helped set up interviews with the design team and wheelchair users to provide specifics about the factors to consider in developing a tripod that meets the users exact needs.

She worked to familiarize the design team with the kinds of equipment the photographers would be using and the challenges that issues with lack of hand strength or range of motion provide and would need to be factored into the design.  The design team used all of that information to create a prototype mount for a tripod controlled by a remote.

Camera Mount

Gross said the next step in the process will be to create functionality to control the tripod’s movements through a phone app instead, similar to the way users are able to control their DSLR phones.

“One of my goals with this project, which was met was to open their minds in terms of engineering in terms of accessibility,” she said. “The conversations they had with wheelchair users and people with physical disabilities really helped them understand limitations. In terms of moving forward as engineers and thinking of accessibility in the arts and in all aspects of life, I think the project was really successful.”

Team 44 was made up of CEET seniors Daniel Avila, Daisy Hernandez, and Malak Zayed.

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