NORTHERN ILLINOIS UNIVERSITY COLLEGE OF VISUAL AND PERFORMING ARTS

Music’s Geof Bradfield’s “Colossal Abundance” releases Sept. 6

Music’s Geof Bradfield’s “Colossal Abundance” releases Sept. 6

Geof Bradfield, professor of jazz studies and jazz performance in the NIU School of Music’s new recording, “Colossal Abundance” will be released on Calligram Records, September 6.

The recording features a 12-piece ensemble features a stellar lineup including Dana Hall, Russ Johnson, Ben Goldberg, Greg Ward, Anna Webber, Greg Beyer, NIU professor of music and director of percussion studies, among others. “Colossal Abundance” promises “radical interpretations” of classics by John Coltrane, Wayne Shorter, Henry Threadgill and Jaki Byard as well as Bradfield’s original compositions.

Preorders are available now for download, CD and double record vinyl for $10.

 

 

Born in Houston, Texas, saxophonist and composer Geof Bradfield has shared the stage throughout North America, Europe, Russia, Asia, Africa and the Middle East with jazz luminaries such as Randy Weston, Carl Allen, Brian Blade, Rodney Whitaker, Etienne Charles, Joe Locke, and Orrin Evans. He also performs and records regularly with fellow Chicago artists Dana Hall, Clark Sommers, Jeff Parker, Matt Ulery, Marquis Hill and Ryan Cohan, to name a few.

His work is featured on 50+ CDs, including seven albums as a leader that have garnered critical accolades from the New York Times, Los Angeles Times, the Chicago Tribune and NPR. Bradfield has been recognized in Downbeat Critics Polls as a Rising Star Tenor Saxophonist and Arranger, and his 2017 release “Birdhoused” received 4 1/2 stars from the magazine.

NIU Percussion imparts a new love of samba to Project FLEX

NIU Percussion imparts a new love of samba to Project FLEX

Greg Beyer teaching samba to Project FLEX

Greg Beyer, professor of music and head of percussion studies and some NIU Percussion students teach a contingent from Project FLEX to play samba music.

The percussion room in the NIU Music Building is often filled with the rhythmic sounds of music from all over the world. Lunchtime Thursday, April 25 was no exception, as samba music could be heard echoing down the hallway. What was different about it was the hour of joyous dancing, singing and percussion featured sixteen special guests from Project FLEX, an NIU-based research and outreach project created in 2018 by kinesiology professors Zach Wahl-Alexander and Jenn Jacobs.

Project FLEX has a team of graduate students, alumni and researchers who work with incarcerated youth to make a positive impact on their lives. The program focuses on physical and mental health, character development, career exploration and higher education access with the aim to set youth up for success post-incarceration. Typically their activities are based around sports, but on this day the group of mentors and youth found themselves working up a sweat while enjoying a crash course in Afro-Brazilian music being taught to them by Greg Beyer, professor of music and head of percussion, along with a group of NIU Percussion students.

“My father has a background in drumming, and he comes to all of the NIU Percussion Ensemble concerts,” Wahl-Alexander said. “He told me that I should get in touch with Dr. Beyer to see if we could put something together like this. We did, and it’s been a great success.”

Beyer said he jumped at the opportunity for a collaboration, and picked samba because he knew the infectious rhythms would encourage participation and be fun for the contingent from Project FLEX to engage with.

Beyer began with some simple introductory beats, as he and the percussion students demonstrated. Then as the beats began to build on each other he encouraged the guests to choose their new favorite instrument and join in. Halfway through the hour, everyone was into it, playing and dancing.

 

 

At the end of the session, Beyer’s invitation to the Project FLEX team members and youth for a return engagement in the percussion room was met with an enthusiastic cheer.

 

About Project Flex

Faculty Spotlight: Greg Beyer, Professor and Director of Percussion Studies

Faculty Spotlight: Greg Beyer, Professor and Director of Percussion Studies

Music Huskie Spotlight

Faculty Huskie Spotlight: Greg Beyer, Professor and Director of Percussion Studies

Greg Beyer

What year did you start working at NIU? 2004.

Where is your hometown, and where do you live now?
I grew up in Janesville, Wis., and I live in DeKalb now. My folks still live in Janesville, so I appreciate being able to be close to family.

Where did you attend college and what degree(s) have you earned?
I earned a Bachelor of Music degree at Lawrence University and both a Master’s and Doctorate of Musical Arts at the Manhattan School of Music in New York City.

What do you like about working at NIU?
I love working at NIU. I am surrounded by inspiring and collaborative colleagues who care about providing excellent experiences for our students, and I am able to share what I love most in the world with talented, curious and motivated students who are eager to grow and to become their best selves.

What advice would you give to students currently attending NIU?
You are here, the moment is now. Stay focused and enjoy the learning process, one day at a time. Keep a journal and make reasonable, attainable goals, as success builds upon success. Work hard and balance both workfulness and playfulness. Always remember where you come from as you continue to pursue where you want to go.

Tell us about a research or engaged learning project you have led.
In addition to my role as the Director of Percussion Studies at NIU, I run the nonprofit organization Arcomusical. In this organization, I am surrounded by NIU alumni and current graduate students who are dedicated to spreading the joy of the berimbau musical bow. We have released two albums to critical acclaim and are in the process of recording a third album. Thanks to a Fulbright Scholar opportunity in 2015, we have a sister ensemble in Belo Horizonte, Brazil, and colleagues and community in both Brazil and Africa. The mission is ongoing, and it has been a pleasure to build community ties through excellent music making.

What do you hope students take away from your class?
I want my students to understand that their music making is powerful, that they possess great magic to make the world a better place through their dedication to their craft. Through the rituals of their daily work, I want my students to come to speak their chosen languages of music with clarity, diction, poise, and most of all, passion. If they themselves are moved in their own music making, they will be capable of moving their communities, which is exactly what makes music such a powerful expression of the human spirit.

What is your favorite campus event?
I really like the NGOLD fundraising awareness day in the MLK commons every May. It is a fun gathering with puppies, cookies, music, and more, and provides a nice break for students in the week prior to final exams. Twice I have taken students over to perform at the gathering.

What is your favorite memory of NIU?
There are so many excellent memories. Taking the award-winning NIU Percussion Ensemble to perform at the Percussive Arts Society International Conventions in 2009, 2013, and most recently in 2018 were all incredible experiences. Most recently, we celebrated the lives of two peaks of NIU’s percussive mountain range, G. Allan O’Connor and Clifford Alexis. Although their passing is incredibly heartfelt and sad, the manner in which community gathered to show solidarity has been incredible. The memorial concerts of 2019 have been particularly poignant events.

Who has influenced your professional path?
My aunt gave my uncle his childhood dream for Christmas when I was 13 — a drumset. The instant he showed that to me, that was it. Losing myself in music and drumming became and has remained the central focus of my life. The drum and percussion teachers I have had over the past thirty years have all been particularly positive influences. Of special note, Dane Richeson at Lawrence University, and Christopher Lamb and Steven Schick at the Manhattan School of Music, were profoundly influential in my development. I continue to think of them often in my own teaching and performing. From Dane I learned passion, from Chris I learned precision, and from Steve I learned about the power of the intellect in perpetuating the fire for music making and sharing it with community.

What did you want to be when you were growing up? Are you currently doing it? If not, what changed your path?
My very first professional ambition was to play baseball! But after I found the drums at age 13, there was no turning back. Even when I was in high school, I had several students of all ages in the neighborhood where I grew up, and received praise for my patience and articulation as a teacher. Meeting and engaging with my professors in college and graduate school provided me with excellent models for what I knew I wanted to become. So, yes, what I like most about NIU is that it has become a home to realize my personal vision.

Are you a member of or hold a position within a professional organization? If so, what organization? What is the purpose of that organization and how does being part of this organization benefit you in your role at NIU?
I am the President and Artistic Director of Arcomusical, a DeKalb-based nonprofit organization with a mission to spread the joy of the berimbau Afro-Brazilian musical bow. This organization has become the professional platform through which I share my deep-seated passion for this musical instrument with my students and our community. Running this ensemble and sharing its responsibilities with my intelligent, capable, and talented students and alumni has given me the opportunity to deeply involve NIU percussion students in what it takes to run a non-profit, and how to share with community. In our county, we perform at the Ellwood Summer Festival, the DeKalb and Sycamore Public Libraries, the Egyptian Summer Series at the Farmer’s Market, as well as annual performances at NIU.

What community organizations are you involved in?
I am a member of the Grossman Ensemble, a professional contemporary music chamber ensemble based at the University of Chicago’s Center for Contemporary Composition. On occasion, I am able to play timpani with the Madison Symphony Orchestra in Wisconsin’s capitol.

What do you do to relax or recharge?
Since becoming a homeowner in DeKalb in 2016, I have developed a passion for gardening and basic forestry maintenance. I live alongside a wooded tributary of the southern branch of the Kishwaukee River, and I like to make certain the trees are happy and healthy, annually removing deadwood and invasive vines. I’ve also built a modest English-style shade garden on the bank of the river behind my home. It has become a sanctuary for peace and keeps me in touch with the fact that most of my percussion instruments were once trees and remember what it feels like to have the wind blowing through their branches. I hope my music making gives them a chance to recall that sensation.

Is there anything else you’d like to share about your NIU Huskie story?
NIU is one of the finest higher education institutions in our region, and its leadership has never been more thoughtful, caring, and forward looking. I believe that for NIU the best is yet to come.

Music Faculty Huskie Spotlights

Faculty Spotlight: Jui-Ching Wang, Professor of World Music

Faculty Spotlight: Jui-Ching Wang, Professor of World Music

Music Huskie SpotlightFaculty Huskie Spotlight: Jui-Ching Wang, Professor of World MusicWhat year did you start working at NIU? I started working at NIU in 2004 when I was still an ABD (all but dissertation).  Where is your hometown? Where do you live now? I grew up...

10th Anniversary NIU New Music Festival to feature two guest alumnae composers and several special guest performers

10th Anniversary NIU New Music Festival to feature two guest alumnae composers and several special guest performers

The NIU New Music Festival celebrates its tenth year with three consecutive evenings of music November 2, 3, and 4, 2022. The evening programs begin at 7 p.m. and tickets are available through the online School of Music Box Office.

Here’s a look back at the history of the NIU New Music Ensemble and New Music Festival.

This milestone event features:

  • three concerts of music for orchestra, wind ensemble, choirs, mixed chamber groups, solo instrumentalists, percussion ensemble, string quartet, and sound installations
  • music by guest artist alumnae Elainie Lillios and Alexis C. Lamb
  • a guest appearance by Argentinean choral composer Santiago Veros
  • guest artist performances by Nick Photinos, I-Jen Fang and Daphne Gerling
  • appearances by NIU Faculty Christopher Scanlon, Gregory Beyer, and the Avalon String Quartet
  • NIU student soloists Andrew Carlson, Ethan Cowburn, and Jonah Payne
  • NIU student ensembles including the NIU Philharmonic, the NIU Wind Ensemble, the NIU Concert Choir, the NIU Chamber Choir, the NIU Percussion Ensemble, and the NIU New Music Ensemble
Elainie Lillios

Elainie Lillios

On Wednesday, November 2, the festival kicks off with a 7 p.m. program in the Music Building Recital Hall featuring electroacoustic music by featured guest composers Alexis C. Lamb and Elainie Lillios, as well as works by NIU faculty and students composers: Mark Snyder, Brian Penkrot and David Maki, Ethan Patterson and Elena Stavropolous. Soloists featured are NIU’s own Christopher Scanlon and Jonah Payne, as well as guest cellist Nick Photinos.

On Thursday November 3, Alexis C. Lamb and Elainie Lillios will offer a talk on the art of listening during the 11:00 a.m. All-School Convocation in the NIU School of Music’s Boutell Memorial Concert Hall. This presentation will feature segments of music by both composers performed throughout the festival as well as philosophical ideas forged by pioneering American composer Pauline Oliveros. Both Lamb and Lillios are associated with Ms. Oliveros’ Deep Listening Institute.

Alexis C. Lamb

Alexis C. Lamb

Thursday evening, the festival’s second concert held in the Concert Hall will feature performances by the NIU Wind Ensemble and Concert Choir, the NIU Philharmonic, the NIU Percussion Ensemble, the NIU New Music Ensemble, of music by John Cage, Alexis C. Lamb, several NIU student composers, and special guest Argentinean choral composer, Santiago Veros.

Friday November 4 at 3 p.m. the composition department will offer its composition seminar in Music Building Room 202 featuring both Lillios and Lamb. 

Friday evening, the 10th Anniversary NIU New Music Festival will close with a concert hall program featuring the Avalon String Quartet, guest artists Daphne Gerling and I-Jen Fang, the NIU Steelpan Graduate Quartet, student soloist Jonah Payne, and Festival Artistic Director Gregory Beyer.

After Friday night’s concert, there will be a post-festival reception at Tapa La Luna in downtown DeKalb. We encourage the NIU and the DeKalb community at large to come out and help us celebrate our tenth anniversary!

Questions or comments can be directed to Festival Artistic Director Dr. Gregory Beyer by phone, (815) 753-7981, or by email, gbeyer@niu.edu.

For in person tickets, please visit: https://niumusic.universitytickets.com/

As always, NIU concert performances are broadcast through our School of Music Livestream: https://www.niu.edu/music/performances/index.shtml

About the NIU New Music Ensemble and Festival

Created in 2008 by its director, Dr. Gregory Beyer, the Northern Illinois University New Music Ensemble is a performance group dedicated to historically groundbreaking music of the 20th Century and the emerging musical voices of the 21st Century.

Each fall, the ensemble presents a multi-concert Festival featuring prominent guest composers, performers, and thematically connected compositions to expose students and the NIU community to excellence and diversity in contemporary classical music making.

With its flexible instrumentation allowing it to present diverse repertoire, the NIU NME has to date presented concerts of music by Steve Reich, Karlheinz Stockhausen, Olivier Messiaen, Augusta Read Thomas, Regina Harris Baiocchi, Alex Mincek, Eric Wubbels, Kate Soper, Shulamit Ran, Elainie Lillios, Alexis C. Lamb, Judith Shatin, Jessie Montgomery, David M. Gordon, Luciano Berio, George Crumb, Igor Stravinsky, John Cage, Erik Griswold, Anthony Pateras, Gerard Grisey, Fred Sturm, Matt Ulery, Christopher Adler, David Lang, Dawn of MIDI, and many others. At its festivals, student members of the NME have interacted directly with many of these composers and have performed alongside luminous guest artists such as Wet Ink Ensemble (NYC), Yarn/Wire (NYC), Clocked Out Duo (Australia), Matt Ulery and Loom, Dane Richeson and Marco Albonetti, and the nief-norf Project. 

School of Music’s Gregory Beyer and percussion alumni featured on PBS’s “Now Hear This”

School of Music’s Gregory Beyer and percussion alumni featured on PBS’s “Now Hear This”

Gregory Beyer, Professor and Director of Percussion Studies in the NIU School of Music and percussion alumni Ethan Martin and Noel Streacker were recently featured on PBS’ “Now Hear This.” The three are part of Arcomusical, made up of Beyer and NIU Percussion graduate students and alumni, whose mission is “to spread the joy of the Afro-Brazilian musical bow known as the berimbau through the development of innovative and excellent musical repertoire.”

The episode is titled “New American Voices” and features American composers inspired by their immigrant roots: Brazilian-born Sergio Assad and Indian-American Reena Esmail.

“Sergio Assad, one half of the famous Brazilian guitar duo, the Assad Brothers, lives in Chicago,” Beyer said. “He reached out to me to be involved with him in the episode and together we co-composed a work for classical guitar and three berimbaus that is premiered in the first segment. Working with Sergio was a delight. He is a consummate professional and a lovely and sensitive musician and human being. Making music with him for us was a joy and an honor. And co-composing the work was also delightful. I sent him an initial idea, he composed something for himself above what I wrote, and we continued ping-ponging the score back and forth until we were together happy with the final result. We hope to continue this collaboration in the near future.”

 

Beyer is featured twice in the episode. The first time at 26:25 when Martin and Streacker join Beyer and Assad. Beyer is featured again at 40:06 when he joins Assad and members of Gingarte Capoeira Chicago.

Arcomusical recently released their third album, Emigre and Exile, which has received a number of excellent reviews, including:

“Every so often an ensemble comes along that is dedicated to some sort of stylistic-meta-acoustical  way of playing-listening. The berimbau ensembles are inspired, beautifully sonic and a major reason to listen. But also the compositional approaches are all worth your attention over and above the sonic wonder of it as an entirety. The music pulsates in engaging ways. Everything has a kind of tribal folk-avant forward momentum, an elementally riff-like tonality, with repetition ostinatos not at all formulaic. This is not an ordinary sort of album. It is uplifting and unusual. I recommend it if you are wanting something different, something off the well beaten path. Bravo.” – Grego Applegate, April 19, 2022, Gapplegate Classical-Modern Music Review

You can watch Arcomusical’s album release party, which was held at Chicago’s Constellation.

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