As the spring semester nears an end, the NIU School of Music presents a special Wind Symphony concert that will not only showcase the hard work of NIU students, but will also feature a pair of premieres of newly composed music.
The concert will feature the world premiere of a composition by Tom Bough, professor of music, Wind Symphony conductor and director of Athletic Bands at NIU. Bill Bailey, Won’t You Please Trombone features a trombone solo by Andrew Glendening, director of the NIU School of Music.
Impulse Control: Concerto for Drum Set and Wind Ensemble, composed by Evan Ziporyn, will have its Illinois premiere, with a drumset solo by Dan Piccolo, assistant professor of percussion at Bowling Green University.
Also featured will be Ballet for Band by Cindy McTee, conducted by Ben Randecker, graduate assistant, NIU Bands, and Soul to Soul, by Quinn Mason, conducted by Annie Sun Chung, graduate assistant, NIU Bands.
The concert will be live streamed online, Thursday, April 22 at 8 p.m. Due to COVID restrictions, seating is limited and tickets must be pre-purchased online.
Dan Piccolo has performed, taught, and studied internationally during his twenty-year professional career. He is currently Assistant Professor of Percussion in Bowling Green State University’s College of Musical Arts.
Dan holds both a DMA and BM in Percussion Performance from the University of Michigan School of Music, Theatre & Dance, and during his Master’s studies in U of M’s Jazz Department he focused on improvisation. He has studied concert percussion with Michael Udow, Salvatore Rabbio, Joseph Gramley and Jonathan Ovalle, among others, and his drum set and improvisation teachers have included Michael Gould, Steve Curry, and Ed Sarath. Dan is also skilled in several forms of non-Western percussion, having studied frame drumming with Jamey Haddad and tabla with Pandit Kuber Nath Mishra in multiple visits to Varanasi, India. A grant from the University of Michigan’s International Institute funded the first of these visits, and he returned to Varanasi in the winter of 2015 thanks to an award from the Presser Foundation. An additional award from U of M’s International Institute made it possible for Dan to begin formal studies of West African music in Ghana in the summer of 2014. From 2014 to 2019 Dan served as a member of the Percussive Arts Society’s World Percussion Committee, and he currently serves as Associate Editor for Professional Development for the Society’s journal, Percussive Notes.
Dan’s debut solo recording, Monobot, was released on the Equilibrium Recordings label in December 2020. In October 2019 Dan gave the world premiere of Evan Ziporyn’s concerto for drum set and wind ensemble, Impulse Control, which written was written for Dan and for which he led the commissioning consortium. Dan has also premiered works by Emma O’Halloran, Jonathan Ovalle, Payton MacDonald, and Anthony Di Sanza, as well as his own compositions, and he continues to actively work with composers to commission new solo and ensemble works for percussion.
Composer/conductor/clarinetist Evan Ziporyn‘s music has taken him from Balinese temples to concert halls around the world.
He has composed for and collaborated with Yo-Yo Ma, Brooklyn Rider, Maya Beiser, Ethel, Anna Sofie Von Otter, the American Composers Orchestra, Boston Modern Orchestra Project, Iva Bittova, Terry Riley, Don Byron, Wu Man, and Bang on a Can. In 2017, his arrangements were featured on Ken Burns and Lynn Novick’s The Vietnam War, and on Silkroad’s Grammy-winning album Sing Me Home.
Most recently, his orchestral reimagining of David Bowie’s final album, Blackstar, was recently released on Islandia Music, featuring Ziporyn conducting his own Ambient Orchestra with Maya Beiser, cello soloist. Since its 2017 premiere, Ziporyn has conducted the work in Boston, Barcelona, New York Central Park Summerstage, Australia’s Adelaide Fringe Festival, Strathmore Hall, and numerous other national and international venues.
Thomas Bough serves as the Director of Athletic Bands and Wind Symphony Conductor at Northern Illinois University. His 29 years of teaching experience includes 7 years as a high school band director. As a Yamaha artist, he leads dozens of clinics and workshops per year. He has presented three times at the Midwest Clinic and dozens of state music education association meetings around the United States.
As an author, he has contributed twenty articles to the Instrumentalist magazine and hundreds of new music reviews. His compositions are published by Alfred Music, Cimarron Music Press and others. Visit his website at www.TomBough.com to hear excerpts of his many compositions for concert band, marching band, and solo instrumentalists with band accompaniment.
Andrew Glendening is the Director of the School of Music and Professor of Music at Northern Illinois University. A native of Logansport, Indiana, he earned a Bachelor of Music degree in Trombone Performance from the Oberlin Conservatory of Music before attending Indiana University, where he was awarded the school’s highest honor: the Performer’s Certificate. He also earned a Master of Music degree and was the first ever recipient of the Doctor of Music degree in Trombone Performance from the Indiana University School of Music. His primary teachers were M. Dee Stewart, Per Brevig, Thomas Cramer, and Frank Crisafulli. For fifteen seasons he served as Principal Trombonist of the Redlands Symphony Orchestra and has performed as a substitute with the Chicago Symphony Orchestra, the San Diego Symphony Orchestra and the California Philharmonic. Six of Dr. Glendening’s trombone students have won the U.S. Army Band National Solo Competition. Dr. Glendening was host and artistic advisor for the 2017 International Trombone Festival and has performed, judged and/or presented at the International Trombone Festivals in Cleveland, Illinois, North Texas, Eastman, Iowa and Ball State as well as the 2019 International Women’s Brass Festival.
David Maki, professor and coordinator of composition and theory in the NIU School of Music is a finalist in the Third Zodiac International Music Competition in the composers category.
The Third Zodiac International Music Competition aims to discover exceptional musical talent, both in performance and composition, from across the globe, and bring it to the stage of the Zodiac Music Academy & Festival in the South of France and New York.
The competition invites artists from all parts of the world to participate via recorded video submission (or score submission for composers).
Maki’s entry in the competition is a Bagatelle he wrote for the Avalon String Quartet, internationally renowned artists in residence at the School of Music.
The Avalon String Quartet commissioned Maki’s Bagatelle for a series of concerts in 2019 and 2020 where they performed the complete Beethoven quartet cycle.
A live, online concert of the composition finalists will be presented Saturday, April 10 at 1 p.m. CDT.
While the pandemic has been keeping people apart, the City of DeKalb, Northern Illinois University and a collection of local agencies have been working to bring the DeKalb community closer together through the Belonging initiative.
The initiative to develop a belonging community was sparked by a virtual conversation in October 2020, led by Dr. john a. powell, who leads the Belonging Institution at U.C. Berkley. Joining the city and the university in the effort are Family Service Agency, the Ellwood Museum and the DeKalb County History Center.
Aided by a $30,000 grant from the Illinois Department of Human Services (IDHS) in January 2021, and a $5,000 donation from the DeKalb County Community Foundation, those organizations have been working on a variety of public art and engagement activities designed to examine issues around race in the community. The goal is to make DeKalb a more welcoming, inclusive place that embraces diversity.
“We are delighted to be in partnership with the City of Dekalb and our community partners on such an important endeavor,” said Vernese Edghill-Walden, vice president for Diversity, Equity and Inclusion /Chief Diversity Officer and Interim Chief Human Resources Officer at NIU. “The positive support received from the entire community has been wonderful. We look forward to co-creating a community where all members are seen, valued and respected is a community where all members can live and more importantly can thrive.”
DeKalb City Manager Bill Nicklas is equally enthused about the program.
“The social justice movement that has positively energized the dialogue about racism in our country and in this community since May 2020 has also helped us engage one another in finding what unites and humanizes us,” Nicklas said of the project. “It is our hope that this initiative will encourage our diverse community in the further exploration of how we can better embrace one another as we work, learn and live together.”
Projects funded by the IDHS grant have come to fruition this month, creating opportunities for members of the community to explore issues that create division and potentially motivating them to find ways to tear down those barriers and make DeKalb a place where all can feel they belong. See below for information on each project.
Faces of Belonging
The Faces of Belonging project is a traveling exhibit that promotes “belonging” among individuals who live, work and study in DeKalb. It highlights the rich network of diverse individuals who make up the community through their unique photographs, perspectives and varied life experiences. The portraits capture individuals that work to create a sense of belonging for others in the community. Each shows a person in a place in DeKalb that creates a sense of belonging for that individual. The photographs are accompanied by excerpts from interviews with the subjects of the photographs, sharing insights into what belonging means to them and how to create a sense of belonging for everyone.
The project was created by Jessica Labatte, an associate professor in NIU’s School of Art and Design, and two of her photography students, Amy Fleming and Jacob Rivera. The photographs can be seen on Huskie Line buses. The exhibit can be viewed online at www.belongingdekalb.com.
Arts in Action
Developed by the DeKalb County History Center and the Ellwood House Museum, Arts in Action investigates the history of race relations in DeKalb County with the assistance of nine visual artists. Their work touches upon the themes of fear, exclusion, community and hope.
Arts in Action is designed to be a platform for community members and artists to tell their stories, especially for those whose voices have not always been heard. The project goal is to build a stronger community by sharing, listening to and understanding the stories of everyone in the community.
A virtual exhibit launched March 31 and can be viewed on the DeKalb County History Center Website.
Northern Illinois University’s Pick Museum of Anthropology, in collaboration with the Center for Black Studies, is hosting the traveling exhibition, “Hateful Things.” Created and circulated by the Jim Crow Museum of Racist Memorabilia at Ferris State University, the exhibition represents nearly 150 years of anti-Black/racist memorabilia and imagery, each embodying the terrible effects of the Jim Crow legacy. This powerful exhibition lifts objects from their original purposes to serve as reminders of America’s racist past and challenges present-day images and systems of oppression. It is a representation of racial stereotyping with the aim of stimulating the scholarly examination of historical and contemporary expressions of racism, as well as promoting racial understanding and healing. The exhibit is open to the public for in-person and virtual tours through April 9, and reservations are required. A virtual tour is available online.
The Diversity Dialogues series at NIU was created to allow participants to understand and discuss a wide range of topics from local and global perspectives. It focuses on participants enhancing their awareness, becoming comfortable in engaging in informed conversations and expanding to social justice actions to create positive change and solve problems. As part of the Belongings initiative, Dr. LaVonya Bennett led a virtual session March 25, co-sponsored by Target, to provide participants an understanding of the historic and current lived experiences of people of color and how trauma is caused and influenced by racial identity.
Belonging Council Formation
The grant has also supported work to create a community Belonging Council to guide such activities going forward. A team from NIU‘s Center for Governmental Studies has facilitated a series of formation discussions with a steering committee of community members working collaboratively to create foundational documents and a vision for a Belonging Council within the City of DeKalb. To date, the steering committee has created a working draft of the Belonging Council’s mission statement, a list of guiding values, and undertaken an analysis of the operating environment. The steering committee will work on the development of short- and long-term organizational and mission-driven goals along with an action plan for the remaining workshop sessions, which are planned to be completed in early April.
For more information about Belonging, visit cityofdekalb.com/belonging.
Header photo: One of the many striking images from Faces of Belonging, view them all online.
The NIU School of Theatre and Dance Black Artists Speaker Series welcomes alumna, J. Nicole Brooks for a guest artist lecture, Friday, April 9 at 3 p.m. via Zoom. Brooks is an award-winning actor, writer and director.
Her selected acting credits include Lottery Day (Lookingglass Theatre Company), Immediate Family (Center Theatre Group), and House Home (Shanghai Dramatic Arts Center, China). Her directing credits include Mr. Rickey Calls A Meeting, Thaddeus & Slocum: A Vaudeville Adventure and Black Diamond: the Years the Locusts Have Eaten.
Brooks is author of HeLa, Fedra: Queen of Haiti, Black Diamond, and 3 Weeks With Her Honor Jane Byrne. Television credits include recurring roles on Showtime’s The Chi and Comedy Central’s South Side. She is a multi-award winning artist honored by 3Arts, TCG Fox Foundation, National Endowment for the Arts, Black Ensemble Theatre Playwright of the Year, LA Ovation and Black Theatre Alliance. She is an ensemble member of Lookingglass Theatre Company.
Kane Repertory Theatre was founded by a group of recent graduates from the NIU School of Theatre and Dance and premiered their first show in 2019.
Kane Repertory Theatre Artistic Director Daniil Krimer and Managing Director Avery Bowne announce the world premiere online production of Hammaad Chaudry’s Security, as part of the company’s new Multiplatform Commission. Security, directed by Executive Producer Ansley Valentine, premieres online April 10-May 2, with plans for an in-person production when it is safe to do so.
The cast includes Academy Award and three-time Golden Globe nominee Eric Roberts (Brian) and Harsh J. Gagoomal (Riaz). The stage manager is Rayne Kleinofen with assistant stage manager Justin Williams.
Security: A 17 year old Riaz arrives from Britain to the United States for the first time and is stopped at the airport by a Homeland Security officer named Brian. The experience will change Riaz’s life forever. Thirteen years later, a grown up Riaz returns to the United States, hunts down Brian at his home, and now interrogates him—it’s time to return the favor.
The online production will be a blend of film and theatre. Green screens and professional film set-ups will be sent to the cast in their individual locations, and with the with the work of a top-notch video editor, the final production will look and feel as if both actors are sharing the same space.
A 17 year-old Riaz arrives from Britain to the United States for the first time, and is stopped at the airport by a Homeland Security officer named Brian. The experience will change Riaz’s life forever. Thirteen years later, a grown up Riaz returns to the United States, hunts down Brian at his home, and now interrogates him — it’s time to return the favor.
About the production
This world-premiere virtual production blends theatre and film into one compelling experience for the audience.
The actors are equipped with professional film equipment to record their performances in real-time. And through the work of the video editor, the final production will look as if both actors are sharing the same space. Living in the same world.
Tickets for the online production are $25 per household or $10 per adult, $8 per senior and $5 per student. Tickets are currently available online.
Artistic Director Daniil Krimer comments, “You don’t get to work with Oscar nominees often. Eric Roberts is one of those rare, class act actors that has immense talent and zero ego. It is a masterclass to watch him work and it’s an honor to have him as part of this project. Combine Eric Roberts with the dynamic Chicago actor Harsh J. Gagoomal and you forget that you’re watching a play on an Ipad and not in the actual room. With Zoom fatigue being a real thing, we want to make sure this isn’t just another production with two Zoom screens. We are combining the mediums here, intertwining film and theatre, and the performances are something special.”
“Hammaad Chaudry provides a wonderful new Muslim voice to the American theatre. In this time when we are being challenged by so many prejudices coming to light, this play provides an interesting and nuanced discussion of issues race, religion, and patriotism we all must confront,” adds Director/Producer Ansley Valentine. “Eric Roberts and Harsh Gagoomal are both powerful actors. Their combination of stage and screen experiences lift the words off the page in a thrilling way. And bringing Mr. Roberts back to the theatre, albeit virtually, is an exciting prospect. The play is scary, and funny, and touching. We hope to create a piece that provides a blend of stage and film for something we do not see often; it won’t be your typical Zoom reading. I can’t wait to share it with an audience!”
About the Artists
Hammaad Chaudry (playwright) is a U.S. and U.K. based playwright. His plays include An Ordinary Muslim, which received its World Premiere at the New York Theatre Workshop where he was the Tow Foundation Playwright in Residence. The play was the recipient of The Edgerton Foundation New Play Award and The Laurens/Hatcher Theater Grant. Other plays include God Willing, Tokens, Kismat, Salaam Mr. Bush and Bobby and Rabia. His work has been staged/developed at The Public Theater, The Pershing Square Signature Center, The Flea Theatre, The Kiln Theatre, The Royal Court Theatre in London and The Royal Lyceum Theatre in Scotland.
He was a Van Lier Fellow at New Dramatists, is an alumni of The Public Theater’s Emerging Writers Group and remains a Usual Suspect at the New York Theatre Workshop. He is also a graduate of The Royal Court Theatre’s Young Writers Programme, where the theatre selected his work for the Young Writers Festival and Unheard Voices competition. He is a recipient of the New Playwrights Award from Playwrights’ Studio Scotland. Residencies and workshops include: Cove Park Residency, Vineyard Arts Project Public Theater, Composer Librettist Studio (Nautilus Musical Theater). He holds an M.F.A. in Playwriting from Columbia University where he completed his studies on scholarship and a B.A. in International Politics and History from The University of Surrey in England.
Ansley Valentine (director, Executive Producer) is a professional director and choreographer for the theater and musical theater and an educator with experience teaching professionally at the collegiate level and in both public and private performing arts high schools. Ansley holds an M.F.A. in Directing from Indiana University. He is currently a proud member of the Stage Directors and Choreographers Society (SDC) and Actors’ Equity Association (AEA). Ansley is also a graduate of the Arts Midwest Minorities in Arts Administration Fellowship, a program funded by the Ford Foundation to increase minority representation in leadership roles at American not-for-profit organizations. His many awards include a 2014 Telly Award and a Kennedy Center Gold Medallion. He is past National Play Program Chair for Region III of the Kennedy Center American College Theater Festival. In that capacity, he helped to foster the writing and development process of a number of young playwrights including producing readings of new work. In the summer, he is Artistic Director of the Ohio Youth Ensemble Stage, a company that provides an inclusive performing arts experience for students regardless of ability or financial resources.
Ansley’s performance credits include (Mr. De Pinna) at the Indiana Repertory Theatre, and several seasons with the Indianapolis Symphony Orchestra’s A Yuletide Celebration as puppet master and Scrooge (a 9-foot tall puppet). He also performed his character mask work with the Alabama and Detroit Symphonies. He has shared the stage with legendary performers Kaye Ballard and Judy Kaye. Other credits include performances with the Indianapolis Shakespeare Festival, Phoenix Theatre, Red Barn Playhouse, Brown County Playhouse, Horsefeathers and Applesauce Dinner Theatre, a national tour with the Mr. Wizard production of Supermarket Science.
Eric Roberts (Brian) is an Academy Award nominee for his role in Runaway Train and a three-time Golden Globe nominee for Runaway Train, Star 80, and King of the Gypsies. He received critical acclaim at the Sundance Film Festival for his roles in A Guide to Recognizing Your Saints and It’s My Party. He starred in La Cucaracha, which won Best Film at the Austin Film Festival, and for which Roberts won Best Actor at the New York Independent Film Festival that same year. Other notable performances include his roles in Final Analysis, The Pope of Greenwich Village, Raggedy Man, Hollywood Dreams, Babyfever, Heaven’s Prisoners, The Dark Knight, and The Expendables, Lovelace and an upcoming feature he is not at liberty to discuss, but is most excited about.
On television, Roberts has received international attention for roles in “Heroes”, “Entourage,” “The L Word,” “The Cleaner,” the CSIs, “Justified,” “Less Than Perfect.” He made a profound impact in the Emmy-nominated adaptation of Truman Capote’s “In Cold Blood,” directed by Jonathan Kaplan. He joined the cast of the Starz series “Crash” for its second season, playing the kind of complex character Roberts is known for.
Roberts has also diversified into music videos, appearing in Sophie Muller’s “Mr. Brightside” video for The Killers, plus its prequel, “Miss Atomic Bomb” and Brett Ratner’s video for Mariah Carey’s “Emancipation of Mimi”—both award winners. One of his most popular appearances was as the surprised recipient of a heart-felt, spontaneous shout out from The Wrestler’s Mickey Rourke at the Independent Spirit Awards. On stage, Eric won the Theatre World Award for his role on Broadway in Burn This. He returned to the New York stage in “The Exonerated” and appeared in the show’s touring company as well.
Roberts was born in Biloxi, Mississippi, and grew up in and around the Atlanta area. He began his career in theatre, and as an actor in his late teens in New York City on the soap opera “Another World.”
If you ask Roberts today, he will tell you he has more than retained his passion for acting, but that there have been some additions to his repertoire of which he is most proud, namely his daughter Emma Roberts, and his step kids, Morgan and Keaton Simons. He supports them in all their artistic, musical and culinary endeavors. Eric’s other personal passions can be explored at his website.
Harsh J. Gagoomal (Riaz) is a joyful artist and aspiring policymaker who currently resides in Chicago. Previous acting experiences include performing in Guards at the Taj (Underground Railway Theater), The Elaborate Entrance of Chad Deity (Red Theater Chicago), and Black & Privileged (Netflix, 1555 Filmworks). Harsh previously served as the director of The Homeless Monologues at the Goodman Theatre. Learn more about him at www.hiimharsh.com.
About the Kane Repertory Multiplatform Commission
The Multiplatform Commission was created to explore how virtual theatre can serve the transition of a brand-new play to the live stage. The Kane Repertory Theatre Multiplatform Commission selects one outstanding playwright to have a World Premiere of new play in two mediums—digitally this spring and, later, in-person when it is safe to do so. Hammaad Chaudry’s play was selected to be developed over a months-long process, both in this digital moment is explored in its entirety, using that process to inform its eventual premiere on the physical stage.
Daniil Krimer explains, “At Kane Rep’s 2020 New Play Lab, we gave 14 playwrights the opportunity to workshop their new works for about 10 hours each. In retrospect, it’s clear that that is not enough time to help playwrights make significant changes to their works of art. This realization inspired us to create the Multiplatform Commission. We decided that, in order to give a playwright the ability to develop a piece, we should commission them and work in tandem to give a piece life. After reading An Ordinary Muslim, we knew that Hammaad Chaudry was our guy. We are now on draft two of Security, and Hammaad’s ability to make everyday dramatic situations symbolize something much bigger, is a testament to why he is one of the premiere up-and-coming playwrights of this decade.”
About The New Play Lab
The New Play Lab is an ongoing project that is committed to helping playwrights continue the development of their new scripts. 2020 was a year full of challenges and opportunities, and Kane Rep worked with 14 professional playwrights on their new works. Over the course of five-months,15 plays, brought to life by more than 75 actors and directors, were produced. Funded by our generous audience and community, each and every participating theatre artist was compensated.
The New Play Lab provides a virtual rehearsal room to each selected playwright, connecting them with professional actors from our ensemble and beyond. On Wednesday evenings, audiences are invited to join us for a virtual reading of the scripts on YouTube Live. The audience gets a firsthand look at the development of these works and becomes an integral part in the creative process by joining us for post-read discussions, where sharing questions, thoughts, and impressions with the team is welcome.
As the company looks forward to 2021, it envisions a year of hope—one that will bring artists and audiences back to the theatre and in physical community with one another. The Kane Repertory Theatre Multiplatform Commission reflects that hope.
The 2020 New Play Lab has featured actors and directors Mark Brokaw (Drama Desk Award, Obie Award and Lucille Lortel Award winner), Rondi Reed (Tony Award winner), Austin Pendleton (Tony nominee/Drama Desk recipient), James Vincent Meredith (Steppenwolf ensemble member), Francis Guinan (Steppenwolf ensemble member), BJ Jones (Artistic Director, Northlight Theatre), Eddie Torres (Co-founder Teatro Vista), Isabel Arraiza (Driven, Pearson), Karen Rodriguez (Steppenwolf ensemble member), Hallie Gordon (former Artistic Director, Steppenwolf for Young Adults), Kyle Beltran (The Cherry Orchard, In The Heights) Justin Lucero (Aristic Director, El Paso Opera), Jon Blake Hackler (Dallas Theatre Center ensemble member), Ken Barnett (Mozart in the Jungle, Too Much Sun) Anthony Irons (Lookingglass ensemble member), Kevin Asselin (Artistic Director, Montana Shakespeare), Michael Stebbins (Artistic Director, Door Shakespeare), Marcy Kearns (Associate Artistic Director, Chamber Theatre), Michael Patrick Thornton (Artistic Director, The Gift Theatre), and Barbara Zahora (Artistic Director, Oak Park Festival).
About Kane Repertory
Kane Repertory Theatre is a home for professional, intellectually stimulating theatre. By using visceral performance to explore values in America, we seek to spark conversation, evoke empathy, and strengthen the community. We work to be one of the Midwest’s leading regional theaters by forming an ensemble of dynamic artists, providing patrons of all ages with first class theatre education, and engaging new audiences through various outreach efforts.
For more information about Kane Repertory Theatre, visit https://www.kanerepertorytheatre.com/
The NIU School of Theatre and Dance presents a live streamed performance of Tony Kushner’s Angels in America. Tickets are free of charge and can be reserved online. Performances will be streamed at 7:30 p.m., Friday, March 26 and Saturday, March 27.
The School of Theatre and Dance began experimenting with presenting theatre online in early 2020 due to the COVID 19 pandemic. In the Spring 2021 semester, we are continuing this presentation of non-traditional performances to showcase the work of our students and faculty, and we are pleased to be able to now share them with you!
This performance will be streamed on Zoom Webinar. You will receive a confirmation once you place your order. Then, 60 minutes prior to the show, you will receive a customized link and password to the performance. Please ensure your email address is accurate when checking out.
We are currently transitioning to a new ticketing system and appreciate your patience. Please email email@example.com if you have any questions or trouble reserving your ticket.
If you would like to donate to the School of Theatre and Dance, please follow this link and choose “School of Theatre and Dance” in the menu. Thank you, as always, for your patronage.