Concert Program

Large Ensemble Concert Series

NIU Wind Symphony

Tom Bough, Director
Alex Harrington, Graduate Assistant and Guest Director

Monday, October 13, 2025
7:00 p.m.
Boutell Memorial Concert Hall

Overture for Winds, Charles Carter (1926-1999)

Alex Harrington, Graduate Assistant and Guest Conductor

Charles Carter was born on July 10, 1926. He was an American composer who started out his career at the Ohio State University, teaching low brass and arranging for the marching band. After that, he spent a majority of his career as an arranger at Florida State University. He also composed for bands outside of FSU for the educational field and was a guest conductor throughout the South and Midwest. He passed away on December 11, 1999.

During his residency at Florida State University, Charles Carter composed Overture for Winds in the year 1959. This piece provides great challenges to both the performer and the audience members. The performers must execute tempo, dynamic and articulation changes without “giving away” abrupt shifts to the audience. For the audience, the piece can seem like a roller coaster ride of changes, shifting between fast and slow, yet seamlessly regaining strength and driving toward a brilliant close. This work is underplayed in wind band/ensemble programs, which is quite a shame given the strength and focus required to accomplish such a feat. Mr. Carter created a masterpiece of academic and entertainment value.

– Program Note from Illinois State University University Band concert program, 5 October 2017

Alchemy, Andrew Boysen Jr. (b. 1968)

Andrew Boysen Jr. is an American composer, arranger, conductor, and educator. He earned his Doctor of Musical Arts degree in wind conducting at the Eastman School of Music, where he served as conductor of the Eastman Wind Orchestra and assistant conductor of the Eastman Wind Ensemble. Boysen is presently a full professor in the music department at the University of New Hampshire, where he conducts the wind symphony and teaches conducting, composition and orchestration.

The title of this piece refers to the idea that alchemy involves the attempt to combine and transform base metals into gold. In other words, in this piece I tried to take two individual sections and combine them to create a more perfect statement while also transforming them from a dark (minor) color to a bright (major) one. I also reinforced this concept by using only metallic instruments in the percussion section (other than timpani), including two suspended cymbals, tam-tam, china cymbal, triangle, finger cymbals, metal music stand, brake drum, ice bell, sleigh bells, snare drum (rim only), vibraphone, orchestra bells, and chimes.

Alchemy was commissioned by the Indiana Bandmasters Association for the 2008 All-District Honor Bands.

– Program Note by composer

Salvation is Created, Pavel Tschesnokoff (1877-1944), arr. Bruce Houseknecht

Pavel Tschesnokoff was one of the most prolific composers of Russian Orthodox church music. All of his sacred music was written for unaccompanied choir, in keeping with the traditions of his faith. At an early age, he gained a reputation as a conductor and composer of great skill. His body of sacred works included roughly four hundred compositions, all completed before the age of 30, when the dictator Stalin outlawed religion and all its components. Tschesnokoff continued to compose secular works for the theatre and the stage, including the famous Bolshoi Theatre. Since being arranged for band in 1957 by Bruce Houseknecht, Salvation is Created has become a standard component of wind band literature. This communion hymn from the Russian Orthodox liturgy is based on a simple chant melody and Psalm 74. The English translation of the original Russian text is as follows:

Salvation is created in the midst of the earth, O God, Alleluia!

We hope you enjoy the beauty, simplicity and power of this music.  

Ayo: Rhapsody for Band, Katahj Copley (b. 1998)

Katahj Copley was born on January 15, 1998 and is an American saxophonist, composer, and educator. He holds a bachelor’s degree in music education and composition from the University of West Georgia and is pursuing a master’s degree in composition. He has written over sixty pieces for various ensembles, including twenty-five for wind band. Copley believes music is the ultimate source of freedom and imagination and composing is the way to open one’s heart and show the world his spirit, drive, and passion.

Salutations. Greetings. Hello. Hi. Hey. Yo. Ayo.

These terms along with countless others have been used to greet people throughout history. However, the term “AYO” is different. Rooted from hip hop and jazz cultures, AYO is built in the black language. It’s used to tell when something is right, when something is wrong, when something is awesome, and when something is too sweet for words. Its use is seen with your closest people, your family, or people who know you best. It’s personal.

In short, “AYO” is a personal embrace that can represent life.

With this piece I wanted build the kind of embrace you would get from this one word while also honoring its beginnings – using hip hop rhythms and colorful harmonies. By the end of the piece, we the listeners go from uncertainty to home; and with the uniqueness of the piece, we in turn celebrate not only a word like AYO but also celebrate life.

On a Hymnsong of Philip Bliss, for Trombone Choir, David Holsinger (b. 1945), arr. McManus

Featuring Padrick Sullivan, Noah Reader, Tessa Kirkman, Ethan Grimes, Onalee Fidder and Eric Wahl

On A Hymnsong Of Philip Bliss is a radical departure of style of this composer. The frantic tempos, the ebullient rhythms we associate with Holsinger are replaced with a restful, gentle, and reflective composition based on the 1876 Philip Bliss-Horatio Spafford hymn, It Is Well with My Soul. Written to honor the retiring principal of Shady Grove Christian Academy, On A Hymnsong Of Philip Bliss was presented as a gift from the SGCA Concert Band to Rev. Steve Edel in May of 1989.

Intermission
Ballad from Trombone Choir, Johannes Brahms (1833-1987), arr. Siekmann

Featuring Jayvon Washington, Juan Garnica, Julia Hart, Juan Figueroa, Aiden Ledbetter, Chris Lowery, and Juan Garcia

Orange Rondo, Thomas Bough (b. 1968)

Orange Rondo was composed in 2009 for Oswego High School in Oswego, Illinois. This program has been very strong for many years, and it was a pleasure to write music specifically for them. The directors at the time were Glen Schneider and Stephanie San Roman. Glen has gone on to do great work at Wheaton College and Vandercook College, on top of a thriving career in real estate, as well as raising a large and energetic family. Stephanie continues to lead the program at Oswego, and has received a number of national and regional honors, including a CMA Music Teacher of Excellence award in 2023, performing at the Music for All National Concert Band Festival, the Illinois Music Educators State Convention and the Superstate Band Festival. She also is raising a family with three children, alongside her husband Juan. I am grateful to have enjoyed a 20 year relationship this is outstanding band program. Musically, the form of the piece is in the title! The introductory material returns several times throughout the piece, scored for various combinations of instruments. The second, highly chromatic section of the piece likewise returns throughout the structure of the composition. Glen was a percussionist, so the piece begins with the rhythmic motif of the melody played by the percussion section. They form the backbone of the piece, as well as playing an important part in the development section that leads back to the final statement of the theme. Frequent time signature changes give the music a lively feel, undergirding a memorable melody that the audience will be humming long after the concert.  (notes by composer)

Chant Rituals, Elliot del Borgo (1938-2013)

Alex Harrington, Graduate Assistant and Guest Conductor

Elliot del Borgo was an American composer and educator. Born on October 27, 1938, he held a B.S degree from State University of New York and an M.M degree from the Philadelphia Conservatory of Music. Del Borgo taught instrumental music in the Philadelphia public schools and was a professor at the Crane School of Music. He was an internationally-known conductor of bands and orchestras and was elected to membership in the American Bandmasters Association in 1993.

Cast in three main sections, Chant Rituals makes use of two contrasting thematic statements to exploit the timbral and rhythmic resources of the symphonic band. A highly chromatic middle section leads to a dramatic restatement of the original material.

– Program Note from score

Vesuvius, Frank Ticheli (b. 1958)

Ticheli is firmly established as one of the most prominent wind composers of the last two decades. His compositions cover the spectrum of instrumental literature, from his very demanding Symphony #1 for orchestra, Symphony #2 for band, numerous chamber works for many different combinations of instruments, to his compositions geared for student ensembles. He writes: Mt. Vesuvius, the volcano that destroyed Pompeii in A.D. 79, is an icon of power and energy in this work. Originally I had in mind a wild and passionate dance such as might have been performed at an ancient Roman bacchanalia. During the compositional process, I began to envision something more explosive and fiery. With its driving rhythms, exotic modes, and quotations from the Dies Irae from the medieval Requiem Mass, it became evident that the bacchanalia I was writing could represent a dance from the final days of the doomed city of Pompeii. 

Biographies

Dr. Tom Bough

Dr. Thomas Bough conducts the Wind Ensemble, Wind Symphony, and Huskie Marching Band at Northern Illinois University. His 34 years of teaching experience includes 7 years as a high school band director in Mesa, Arizona. As a Yamaha artist and Denis Wick Ambassador, he leads dozens of clinics and workshops per year across the country. He has presented four times at the Midwest Clinic, twice at the International Society for Music Education, as well as the International Women’s Brass Conference, and eighteen different state music education association conferences. His compositions are published by Alfred Music, Cimarron Music Press and JW Pepper. Recent commissions include music written for Olivet Nazarene University, Kappa Kappa Psi, the Alloy Horn Quartet, the Alliance Brass Quintet, the University of San Diego, Creston High School, and Hubble Middle School. His compositions include concerti for each brass instrument. Hear his music at www.Tombough.com.

Alex Harrington

Alex Harrington is a current graduate student at NIU studying Wind Conducting and assisting with the Huskie Marching Band. Prior to NIU, she taught K-12 band and general music in Novi, Michigan and taught private woodwind and piano lessons to children and adults. She received a Bachelor of Music Education degree from Olivet Nazarene University where she was a drum major for the Tiger Marching Band for two years. In addition to her college conducting experience, she was a frequent participant at the NIU Wind Conducting Symposium.

NIU Wind Ensemble Roster

** Principal player  

Piccolo
Angie Morgano

Flute
Jovana Cortez*
Jenessa Bowen*
Breanna Negele
Anna Melik
Alyssa White
Angie Morgano
Kaelyn Lee
Reese O’Herron
Araceli Duran
Megan Burns
Bree Schafer

Oboe
Julie Poppelwell

Clarinet
Jacob Salas
Kayla Bivin
Christopher Bensen
Christopher Staton
Vanessa Carroll
Ava Divizio
Maddie Montiel
Sarah Zamora
Christian Martinez

Bass Clarinet
Ava Cassens *
Ethan Schoon

Bassoon
Bridget Logan*
Molly Williams
Will Holloway

Alto Saxophone
Daniel Smith
Jimmy Kaphengst
Jordan Vincent
Avery Harden

Tenor Saxophone
Josh Goldwasser
Andrew Peterson

Bari Saxophone
Reign Bonnewell

French Horn
Annalee Kalbfleisch*
Brandon Biddle
JonLuca LaPorte
Jamie McCarthy
Kristin White

Trumpet
AJ Sullivan *
Lukas Keller *
Zinnia Wedige
Julian Suarez
Dani Godinez
Christian Barraza
Niya Teague

Trombone
Jayvon Washington
Padrick Sullivan
Noah Reader
Frank Vyerberg
Julia Hart
Juan Figueroa
Juan Garnica
Aiden Ledbetter
Tessa Kerkman
Ethan Grimes
Onalee Fidder
Chris Lowery

Bass Trombone
Juan Garcia
Eric Wahl

Euphonium
Hailey Fedderson*
Lilly Benitez
Vince Giunta

Tuba (5)
Sam Okunno *
Maggie Eckes
Nick Nelson
Kai Santiago

Percussion
Will Carr *
Will Pierce
Nolan Leegard
Chris Avila
Axel Capetillo
Gabe Greenfield
Rose Malcome
Cameron Neis
Bianca Lange

Tickets

Tickets for School of Music concerts are available online only. There are prices for adults, seniors, faculty and staff and non-NIU students. NIU students are admitted free of charge to all performances with pre-reserved tickets. Most recitals are not ticketed.

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Upcoming Events

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