NORTHERN ILLINOIS UNIVERSITY COLLEGE OF VISUAL AND PERFORMING ARTS

Dani’ca Richardson, Master of Music, ’23

Dani’ca Richardson, Master of Music, ’23

Music Huskie Spotlight

Huskie Spotlight: Dani’ca Richardson, Master of Music, ’23

Dani'ca Richardson

What did you want to be when you were growing up? When I was little I wanted to be a band teacher. In my life so far, I studied instrumental music education and received my bachelor’s degree ,then I taught orchestra, choir, and general music for five years.  Now I am working towards my Master’s Degree in Wind Conducting.

What is your major (and/or minor) and why did you decide on this course of study?
Master’s Degree in Wind Conducting. I wanted to go for this degree so that I could learn how to become a better communicator on the podium therefore helping me become a better band teacher.

What is your favorite thing about studying and/or playing music at NIU? My favorite thing about studying music at NIU is the collaboration and support that I have from the faculty and staff in the department.  I also really enjoy working with the different ensembles and working towards becoming a more well rounded musician.

How have you connected with other students at NIU? I get to work with many students here on campus though my work with and teaching of the different ensembles.  My position is great because I get to work with students who are both in the department and other parts of campus.

Are you involved in any student organizations or extra-curricular activities?  I am currently the graduate assistant/field technician for the Huskie Marching Band here on campus.  I think it has added to my experience as a Huskie in a positive way.  I was able to join the students on campus during band camp and meet new people.  Also being able to go to all the home games and support the football team has been  blast and I really feel like part of the campus community.

Why did you choose NIU to study music? I like that NIU music has a conservatory style curriculum.  It really gives me a chance to take a deep dive into my course of study and I have many opportunities to practice and perform in front of various ensemble.

Who has been one of your favorite instructors/professors and why? What course do they teach? I would have to say Dr. [Thomas] Bough.  When I am in a lesson by myself, group lesson, or even in front of an ensemble I can tell that he really cares about me and my progress as a student.  He always encourages me to ask questions and try different motions in conducting but also helps me grow as a professional.

Where is your favorite spot on campus or in the community? Why are you drawn to it?  I think my favorite spot is the Concert Hall.  I love how the hall looks and feels and seeing the organ makes me awestruck every time.  I also love that every time I’m in there I hear music become alive and powerful, even in the soft, subtle moments.

What advice would you give to a student who is applying to colleges? Make sure it feels like home.  This could potentially be your home for the next four years.  So you want to feel happy, confident, and comfortable in everything you do on campus.

Coming to college, what is something that you have had to learn to do differently? Time management.  In college I had to learn how to be responsible for my own schedule.  This includes both studying and work.  It’s important to take time for yourself and learn how to manage your calendar and time in a way that it works for you, not against you.

What do you do to relax or recharge? My favorite thing to do when I am trying to relax and recharge is to put on comfy clothes, wrap myself in a fuzzy blanket with a hot drink and a snack and play Animal Crossing if I’m alone or any other game (tabletop or video) if my husband is with me. I also like to go long distance hiking through national and state parks.

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School of Music takes the show on the road to Indiana

School of Music takes the show on the road to Indiana

The Indiana Music Education Association Professional Development Conference in Ft. Wayne will have a distinct northern Illinois feel to it this weekend.

Not only has Reggie Thomas, Professor and Head of Jazz Studies at NIU been asked to direct the Indiana All-State Jazz Band, but the NIU Wind Ensemble will perform twice, a rare honor for an out-of-state ensemble.

NIU School of Music faculty members Christopher Scanlon (left) and Thomas Bough.

Under the direction of Thomas Bough, Conductor of Wind Symphony and Director of Athletic Bands at NIU, the Wind Ensemble will perform a featured concert at 3:30 p.m. which includes a guest solo by Christopher Scanlon, Assistant Professor of Trumpet at NIU. And an 11 a.m. concert titled “Music By Black Composers.”

“NIU as a whole and the School of Music in particular is committed to diversity, equity and inclusion,” Bough said. “One of the things I’m really proud about is that for the last two years, every single concert of every single band has included music from a Black composer and a female composer and in some cases more than one piece. I’m really proud of what we’re doing. We are emerging as a leader in that regard. Over the course of the fall semester we performed all of this music and now we’re devoting an entire concert to that work.”

The Music By Black Composers concert includes music written by composers like William Owen, Tania Leon, Anthony Barfield, Dwayne Milburn, Quincy Hilliard and Quinn Mason.

In the afternoon performance, the Wind Ensemble will perform a number of pieces, including Musing on Mahler written by Bough and featuring Scanlon’s solo on trumpet.

“It has been a pleasure performing as a soloist with the Wind Ensemble and Dr. Bough conducting his “trumpet concerto,” Musings on Mahler,” Scanlon said. By the end of this semester we will have performed if four times, on a Wind Ensemble concert in Boutell last fall, at the Indiana Music Educators Conference in January, at the Batavia Fine Arts Festival and NIU Concert Band Festivals in February.

“It is a wonderful piece that takes the beautiful melodies of Mahler lieder and gives them to the solo trumpet voice. As a showpiece it is not without some flashy technical passages but overwhelmingly the piece employs my favorite thing to do as a musician, sing through the trumpet. It is also unique in that each of its three movements are performed on a different “auxiliary” trumpet. Like most trumpet players the main instrument I perform and practice with is the Bb trumpet. Dr. Bough foregoes the common Bb trumpet and wrote a movement each for the Cornet, Flugelhorn and piccolo trumpet. Navigating these three very different instruments in one solo piece is a fun challenge. It is exciting to share this piece with so many other musicians and educators and I hope they consider programming it as well.”

Music By Black Composers will be conducted by Bough and by graduate assistants Annie Sun Chung, Dan’ica Richardson and Bryan A. Flippin. The featured concert will be conducted by Bough and Chung.

Bough has presented at the Indiana conference before and took a chance that the high quality work of the Wind Ensemble merited consideration to perform at it. “They said that we were welcome to apply to perform but that they almost never take out of state ensembles,” he said. “We submitted some audio recordings and some video of rehearsals and programs, and they must have liked what they heard and saw. I was pleasantly surprised to receive not just one, but two invitations to perform. To the best of my knowledge and NIU ensemble has not appeared at a state convention in more than a decade. We’re really excited to take our music across state lines. It’s especially fitting now that NIU no longer charges an out of state tuition rate.”

April 22 Wind Symphony concert to feature world premiere music

April 22 Wind Symphony concert to feature world premiere music

As the spring semester nears an end, the NIU School of Music presents a special Wind Symphony concert that will not only showcase the hard work of NIU students, but will also feature a pair of premieres of newly composed music.

The concert will feature the world premiere of a composition by Tom Bough, professor of music, Wind Symphony conductor and director of Athletic Bands at NIU. Bill Bailey, Won’t You Please Trombone features a trombone solo by Andrew Glendening, director of the NIU School of Music.

Impulse Control: Concerto for Drum Set and Wind Ensemble, composed by Evan Ziporyn, will have its Illinois premiere, with a drumset solo by Dan Piccolo, assistant professor of percussion at Bowling Green University.

Also featured will be Ballet for Band by Cindy McTee, conducted by Ben Randecker, graduate assistant, NIU Bands, and Soul to Soul, by Quinn Mason, conducted by Annie Sun Chung, graduate assistant, NIU Bands.

The concert will be live streamed online, Thursday, April 22 at 8 p.m. Due to COVID restrictions, seating is limited and tickets must be pre-purchased online.

Dan Piccolo

Dan Piccolo

Dan Piccolo has performed, taught, and studied internationally during his twenty-year professional career. He is currently Assistant Professor of Percussion in Bowling Green State University’s College of Musical Arts.

Dan holds both a DMA and BM in Percussion Performance from the University of Michigan School of Music, Theatre & Dance, and during his Master’s studies in U of M’s Jazz Department he focused on improvisation. He has studied concert percussion with Michael Udow, Salvatore Rabbio, Joseph Gramley and Jonathan Ovalle, among others, and his drum set and improvisation teachers have included Michael Gould, Steve Curry, and Ed Sarath. Dan is also skilled in several forms of non-Western percussion, having studied frame drumming with Jamey Haddad and tabla with Pandit Kuber Nath Mishra in multiple visits to Varanasi, India. A grant from the University of Michigan’s International Institute funded the first of these visits, and he returned to Varanasi in the winter of 2015 thanks to an award from the Presser Foundation. An additional award from U of M’s International Institute made it possible for Dan to begin formal studies of West African music in Ghana in the summer of 2014. From 2014 to 2019 Dan served as a member of the Percussive Arts Society’s World Percussion Committee, and he currently serves as Associate Editor for Professional Development for the Society’s journal, Percussive Notes.

Dan’s debut solo recording, Monobot, was released on the Equilibrium Recordings label in December 2020. In October 2019 Dan gave the world premiere of Evan Ziporyn’s concerto for drum set and wind ensemble, Impulse Control, which written was written for Dan and for which he led the commissioning consortium. Dan has also premiered works by Emma O’Halloran, Jonathan Ovalle, Payton MacDonald, and Anthony Di Sanza, as well as his own compositions, and he continues to actively work with composers to commission new solo and ensemble works for percussion.


 

Evan Ziporyn

Evan Ziporyn

Composer/conductor/clarinetist Evan Ziporyn‘s music has taken him from Balinese temples to concert halls around the world.

He has composed for and collaborated with Yo-Yo Ma, Brooklyn Rider, Maya Beiser, Ethel, Anna Sofie Von Otter, the American Composers Orchestra, Boston Modern Orchestra Project, Iva Bittova, Terry Riley, Don Byron, Wu Man, and Bang on a Can. In 2017, his arrangements were featured on Ken Burns and Lynn Novick’s The Vietnam War, and on Silkroad’s Grammy-winning album Sing Me Home.

Most recently, his orchestral reimagining of David Bowie’s final album, Blackstar, was recently released on Islandia Music, featuring Ziporyn conducting his own Ambient Orchestra with Maya Beiser, cello soloist. Since its 2017 premiere, Ziporyn has conducted the work in Boston, Barcelona, New York Central Park Summerstage, Australia’s Adelaide Fringe Festival, Strathmore Hall, and numerous other national and international venues.

 


tom bough

Tom Bough

 

Thomas Bough serves as the Director of Athletic Bands and Wind Symphony Conductor at Northern Illinois University.  His 29 years of teaching experience includes 7 years as a high school band director.  As a Yamaha artist, he leads dozens of clinics and workshops per year.  He has presented three times at the Midwest Clinic and dozens of state music education association meetings around the United States.

As an author, he has contributed twenty articles to the Instrumentalist magazine and hundreds of new music reviews. His compositions are published by Alfred Music, Cimarron Music Press and others. Visit his website at www.TomBough.com to hear excerpts of his many compositions for concert band, marching band, and solo instrumentalists with band accompaniment.

 


 

Andrew Glendening

Andrew Glendening

Andrew Glendening is the Director of the School of Music and Professor of Music at Northern Illinois University. A native of Logansport, Indiana, he earned a Bachelor of Music degree in Trombone Performance from the Oberlin Conservatory of Music before attending Indiana University, where he was awarded the school’s highest honor: the Performer’s Certificate. He also earned a Master of Music degree and was the first ever recipient of the Doctor of Music degree in Trombone Performance from the Indiana University School of Music. His primary teachers were M. Dee Stewart, Per Brevig, Thomas Cramer, and Frank Crisafulli. For fifteen seasons he served as Principal Trombonist of the Redlands Symphony Orchestra and has performed as a substitute with the Chicago Symphony Orchestra, the San Diego Symphony Orchestra and the California Philharmonic. Six of Dr. Glendening’s trombone students have won the U.S. Army Band National Solo Competition. Dr. Glendening was host and artistic advisor for the 2017 International Trombone Festival and has performed, judged and/or presented at the International Trombone Festivals in Cleveland, Illinois, North Texas, Eastman, Iowa and Ball State as well as the 2019 International Women’s Brass Festival.

 

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