Avalon String Quartet and NIU School of Music announce return of Graduate String Quartet in Residence

Avalon String Quartet and NIU School of Music announce return of Graduate String Quartet in Residence

The Avalon String Quartet and the Northern Illinois University School of Music are excited to relaunch the Graduate String Quartet in Residence, a fully-funded opportunity for graduate study at NIU.

Quartet members may pursue the MM degree or a Performers Certificate, and receive intensive string quartet coaching with the Avalon Quartet and Mathias Tacke (formerly of the Vermeer Quartet). 

On- and off-campus performances, competition preparation, career guidance, recording services, new music premieres and teaching opportunities abound.

The awards include full graduate tuition waiver and a ~$7000 annual GA stipend for each quartet member. Pre-formed groups are encouraged to apply; individual applications are also considered.

For more information please contact Blaise Magniere, string area coordinator: bmagniere@niu.edu.

An internship provided Izabella Gieron the conducting experience she’s long waited for

An internship provided Izabella Gieron the conducting experience she’s long waited for

Izabella GieronIzabella Gieron knew she wanted to be a conductor since high school, and as she completes her degree in the NIU School of Music, an internship this year with the Metropolitan Youth Symphony Orchestra (MYSO) has given her the chance to get hands-on experience.

“My high school band teacher, Jeanette Soebbing (Argo High School, Summit, Ill.), is an amazing conductor,” Gieron said. “Watching her movements; the way she expressed the music only through hand and arm gestures felt unreal. From that moment, I knew that was something I needed to study. I tell her to this day that she’s the reason I am doing conducting.”

Gieron is majoring in music education and violin performance, with independent study in conducting. She’s a senior who will graduate in May, and is grateful for a long awaited opportunity to study conducting.

“I knew all along I wanted to be a double major, so I stuck with that. We had conducting classes which were fun, but it wasn’t until Dr. [Benjamin] Firer came that this opportunity was given to me. He emailed us and asked if anyone would like to take lessons with him and I responded in a heartbeat. It was something I always wanted to do, and when that opportunity came up, I was going to take it.”

Firer is a visiting assistant professor who teaches music theory, orchestration, advanced orchestral conducting, orchestral literature and directs the NIU Philharmonic Orchestra and Opera Theatre. Last summer he was named to replace retiring, longtime MYSO music director Lawrence Sisk, and it turned out to be a great opportunity for Gieron, too.

“Dr. Firer had mentioned that he had an idea of how to keep me involved, as he knew this was something I have always wanted to do,” Gieron said. “He helped create an internship/assistant conductor position, and ever since then, I have been part of MYSO. It’s always something I look forward to during the week. It’s so much fun, and I get to make music with all of these young musicians.”

MYSO was founded in 1959 and seeks to promote and challenge talented young orchestral musicians by providing an opportunity to perform repertoire of a wide variety of styles and historical periods. Membership includes junior high and high school students form Joliet and 21 surrounding communities, as well as students from Lewis University and Joliet Junior College.

Gieron’s duties as assistant conductor puts her in charge of sectionals, marking the bowings, doing playing tests, grading playing tests and provides her opportunities to conduct the orchestra, which includes being given a piece of music to conduct in every single concert.

“Witnessing Izabella’s journey into a skilled conductor has been a highlight of my time at NIU,” Firer said. “Her natural ability on the podium and outstanding leadership qualities make her a perfect match for the MYSO internship.  It’s a special experience seeing our students take what they’ve learned at NIU and make an impact.  Izabella has an extremely bright future in music, I couldn’t be more proud of her.”

COVID-19 presented challenges for the orchestra. “Everyone is six feet apart and this year, we’re only doing strings,” Gieron said. “In the beginning, it was quite challenging; the sound reflection was totally unbalanced and delayed as we were all spaced out. To adapt to the unordinary circumstances, Dr. Firer and I had to train the musicians to not try to listen to others, but to concentrate more on watching the conductor to resolve the sound delay dilemma. Eventually, the students started adapting and teaching in an uncommon environment was normalized. Things are going well.”

Gieron has also had the chance to study and perform with the Avalon String Quartet, the artists in residence at NIU. “Blaise Magniere [Avalon String Quartet member and Richard O. Ryan Endowed Chair in Violin in the School of Music] was my primary teacher,” Gieron said. “He opened my eyes to how important it is to study basic material. When you really understand the fundamentals, you can perform or do anything. Now in my teaching, I apply all that I’ve learned and make it a good habit to pass on the knowledge I have been given. There’s a quote I always like to use, ‘In order to be a good teacher you have to be a good musician.’ I’m so happy he prepared me for that.”

As she looks at graduate schools, Izabella also reflects back on the opportunities she was presented with at NIU that have helped her chart her path. “It’s definitely been life changing and eye opening,” she said. “Especially with conducting. Dr. Firer knew I was serious, and he definitely raised the standards and had very high expectations. I studied Stravinsky’s “Rite of Spring” which is one of the most challenging pieces ever written. I conducted a Beethoven symphony and a Haydn symphony as well. We have done intense score studying and provided me with different resources and materials to practice. It is one thing to learn how to wave around your hands to conducting, but what I cherish the most from these experiences were learning the deeper side of the art of conducting. To understand the meaning of the piece, to study how the composer wrote each piece and what they did to achieve such musical success – things that are often forgotten when studying music. I can move around my arms and conduct a musical composition, but music is more than that. It’s about the meaning and the feeling of performing it.”

Five faculty earn rank of full professor in School of Music

Five faculty earn rank of full professor in School of Music

Five faculty members in the NIU School of Music have earned the rank of professor. JeongSoo Kim, Jui-Ching Wang and Marie Wang are the first females to earn promotion to full professor since Edna Williams became Professor of Voice in 1987.

JeongSoo KimJeongSoo Kim is Professor of Piano, and teaches applied piano, piano literature, and piano pedagogy. Kim received her bachelor’s degree from Seoul National University, her master’s degree from the New England Conservatory, and her doctorate in piano performance and literature from the Eastman School of Music, where she worked as a piano class and applied piano teaching assistant and as a Graduate Award accompanist.  As an active performer and teacher, she has had numerous solo and chamber music performances throughout the United States and South Korea, Japan, Taiwan, and Costa Rica, and has participated in the Aspen and Chautauqua music festivals.  Her recent performing activities include solo, chamber, and piano duo recitals at Eastman School of Music, Northwestern University, Boston University, Philippine Women’s University, Sook-Myung University, Seoul City University, Kawai Piano Concert Hall, and Taiwan National Normal University.  As an active member of MTNA (Music Teachers National Association), Kim serves as a Northwest District Chair for the Illinois State Music Teachers Association and has served as a co-vice president of ISMTA Naperville chapter.

Jui-Ching WangJui-Ching Wang is Professor of World Music and Music Education. She teaches music education and world music courses and coordinates world music ensembles such as the Chinese music ensemble, Indonesian gamelan ensemble, and Middle Eastern music ensemble.  Wang received her bachelor’s degree in music from Soochow University in Taipei, master’s degrees in piano performance and music education from Northern Illinois University, and her doctorate in music education from Arizona State University.  Prior to her studies in the United States, she taught music classes and directed choirs and recorder ensembles at a middle school in Taiwan.  While completing graduate course work at ASU and NIU, she taught courses in world music and music education and participated in several world music ensembles such as the NIU Gamelan ensemble, ASU Javanese Gamelan ensemble, and Marimba Maderas de Comitan.  To promote world music pedagogy, Wang organized the Teaching World Music Symposium at NIU in April 2015. As a clinician advocating the study of music as culture, she has provided training and demonstrations for in-service teachers and music students in the U.S., China, and Taiwan to help them expand their cultural horizons through music. A Fulbright Scholar, Wang studied traditional Javanese children’s singing games, tembang dolanan anak, in Yogyakarta, Indonesia in 2016-17.

Marie WangMarie Wang is Professor of Violin and a founding member of the Avalon String Quartet, the NIU School of Music’s ensemble in residence. A native Canadian, she received a bachelor’s degree in violin performance from McGill University in Montreal, and a master’s degree in performance from NIU. She also holds an Artist Diploma from the Juilliard School in Quartet Studies while she served as a teaching assistant to the Juilliard Quartet as a part of the Lisa Arnold Graduate Quartet Residency. Prior to her appointment at NIU, she was an Artist in Residence at Indiana University South Bend. The Avalon String Quartet has captured top prizes at the Concert Artists Guild and the Munich ARD international competitions. The quartet has been invited to perform at Wigmore Hall, Carnegie & Weill Halls, Alice Tully, 92nd St Y, Herculessaal (Munich),and the Library of Congress, among others.  Wang also has appeared at festivals such as Caramoor, Mostly Mozart, La Jolla, Ravinia, Bath, and Aldeburgh. Marie has collaborated with artists such as Gilbert Kalish, Juilliard and Pacifica Quartets and members of the Emerson Quartet. Her recordings with the quartet can be found on Cedille Records, Albany Records and on Channel Classics.

Blaise MagniereBlaise Magniere is Professor and Richard O. Ryan Endowed Chair of Violin, and first violinist in the Avalon String Quartet. An acclaimed chamber musician in the United States and abroad, he has toured extensively, including venues such as Wigmore Hall in London, Herculessaal in Munich, the Schneider Series at Carnegie Hall, Ravinia Festival, Mostly Mozart, La Jolla Festival and the Caramoor Festival. His performances and conversation have been heard on BBC, CBC (Canada), ABC (Australia) and France-Musique. He has recorded for the Channel Classsics, Cedille, New Tangent and Albany labels, and earned the 2002 Chamber Music America/WQXR Record Award. A highly dedicated teacher, he has successfully prepared students for orchestral auditions and top graduate programs. As an assistant to the Juilliard String Quartet, he coached chamber music at the Juilliard School. He was on faculty at Indiana University South Bend before coming to NIU.

Cheng-Hou LeeCheng-Hou Lee is Professor and Cellist in the Avalon String Quartet.  A native of Taiwan, he received both the bachelor’s and master’s degrees from the Juilliard School. He also earned a master’s degree in chamber music at Rice University, where he was a founding member of the award-winning Gotham Quartet. He was a full-scholarship student at New England Conservatory, where he received his Doctoral of Musical Art. Lee has worked with world renowned artists such as Yo-Yo Ma, Harvey Shapiro, Janos Starker, Mistilav Rostropovich, Zara Nclsova, Paul Katz, Steven Iserlis, Raphael Wallfisch, Gary Hoffman, Tim Eddy, and members of the Juilliard, Tokyo, and Alban Berg Quartets. He has won the Chi-Mei Foundation Award for Outstanding Talents, the concerto competition at the Manhattan School of Music, Tuesday Musical Club Competition in Houston and twice the National Cello Competition in Taiwan, and he has appeared on WQXR radio station in New York City, WFMT radio station in Chicago and many others in the US.  He was a recipient of a career grant from the Quanta Education Foundation, and he has made solo and chamber music appearances throughout the United States, as well as in Germany, Italy, Hong-Kong, and Taiwan.

Edna WilliamsAbout Edna Williams

Williams began her career at NIU as instructor of voice in 1965, and taught vocal lessons and classes and diction courses. She was promoted to assistant professor in 1969, associate professor in 1979 and full professor in 1987.

She studied at Wilson Junior College and earned her bachelors and masters degrees from the Chicago Musical College of Roosevelt University. She was internationally known as a singer and toured often.

Williams traveled to Austria to study German Lieder in 1959, and was listed in Who’s Who Among Black Americans 1980-81. Williams retired in 1991 and continued to give private lessons.

 

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